Friday, March 16, 2018

Review of Grace in Love, by Emily Jane Orford

Review of Grace in Love
by Emily-Jane Orford

What is it that defines a person’s life? Is it the wonderful, amazing (or the opposite) deeds they perform as adults that make them memorable in the history of human-kind? Or does the true nature of a person present itself from the very moment that person enters this world?

Grace Woodsworth MacInnis (1905-1991) was a well-respected Parliamentarian, a Canadian with passion for the working class, a person who cared for others, especially women and their difficult plights in life. She was a gifted speaker, a compassionate soul, an advocate for equality of rights and liberties.

Before Grace made her name in Canadian politics, she was a girl. We read about her younger years in Ruth Latta’s “Grace and the Secret Vault” (Baico, 2017). Now the author takes the reader on another journey through this amazing woman’s formative years in her latest book, “Grace in Love” (Baico, 2018). While the author allows the reader to follow Grace’s studies in Paris and her journeys around Europe, the reader also learns about a young woman just learning about love. In Paris, as one would expect, she believes she’s discovered true love, only to come to a realization that this love is a passing fancy from the partner’s perspective. The young woman, now educated in French and ready to return to a career in teaching like her mother, saves herself before she falls victim to this love’s alluring temptations. And, ultimately, she learns that, although she may have lost a friend in her almost lover, she has many other friends, new and old, whom she loves and a family she also loves and cares for. There are, after all, many kinds of love.

Returning to Winnipeg and teaching, Grace finally unburdens her sorrows to her mother, who bluntly, but also compassionately, assesses the situation, telling Grace that, “men are like streetcars. There’ll be another one along in twenty minutes.” And, for Grace, there was another one. But it did take a little longer than twenty minutes.

In Winnipeg, Grace discovers that she doesn’t possess the passion for teaching that her mother had. Her father invites Grace to join him in Ottawa as an office assistant and she accepts, even though she doesn’t yet know how to type. Thrown into the world of politics, not so unfamiliar since she grew up with a very open-minded, socialist father, Grace attaches herself to another like-minded thinker and the two connect and bond, as love grows. Grace had found her life’s partner and her passion for helping others in a way not so different from her father’s, in government.

Ruth Latta is a storyteller, intent and dedicated to presenting Canadian history, especially the history of Canadian women, in a creative and enjoyable manner. A person’s life is a story and the author has captured the beauty of the person she is writing about in a storytelling manner. Ruth has done considerable research on Grace Woodsworth MacInnis, particularly studying the woman’s extensive archive of correspondence. Grace, like Ruth, was passionate about expressing herself vividly with the written word.

This is a powerful, insightful and intuitive exploration of one woman’s life, before the woman became the power in Canadian politics that made her memorable. A valuable addition to Canadian literature and Canadian history.

Monday, March 5, 2018

I Have Copies of "Grace in Love"!

Grace in Love: A Novel About Grace Woodsworth is now available from me at or from Baico Publishing, at

The ISBN is 98-1-77216-128-1 and the price is $25

Thursday, February 1, 2018

More about my new novel, "Grace in Love"

When twenty-three year old Grace Woodsworth left Canada in the summer of 1928 to study for a year at the University of Paris (the Sorbonne), she imagined that her education there would involve studying the French language and culture. To her surprise, that year was the beginning of her education in love.

In Grace and the Secret Vault (Ottawa, Baico, 2017, 978-1-77216-092-5, $20) Grace, at thirteen, helped her family during the 1919 Winnipeg General Strike.  In Grace in Love, I continue Grace's story, showing the concerns of young women in an era of changing moral codes.  Grace and the Secret Vault is for young adult readers ten and up. Grace in Love is intended for a slightly older audience - for readers in their late teens and early twenties, and older.

In writing both books I employed the research skills I learned as a history student at Queen's University (M.A, 1970, Ruth "Olson") and used some of  the earlier research I had done about Grace for Grace MacInnis, A Woman to Remember (Xlibris, 2000) co-authored by myself and Joy Trott.

Grace in Love will be published in 2018 and is available, as is  Grace and the Secret Vault, from myself or from

My review of "This Far Isn't Far Enough"

A review of This Far Isn’t Far Enough by Lynn Sloan
Sloan’s characters are from various walks of life: an art dealer, a sculptor, a soldier, a convenience store clerk, a female prize fighter and several disillusioned mothers. Bullying, dishonest superiors, exploitative friends, devoted friends, women who love too much, and the darker side of parent-child relationships are examined in this collection Read more:

Sunday, December 24, 2017

Grace in Love

I just got the proofs of my new novel, to be published in 2018.

Grace in Love is an historical novel about a young Canadian woman in search of a life's work and a love to last a lifetime through.  Aimed at grown-ups who know something about love, Grace in Love is set in Paris in the Roaring Twenties and Canada during the Great Depression. Based on a real person, Grace is a character readers will like.

Wednesday, November 29, 2017

Grace is at Perfect Books on Elgin Street

Copies of Grace and the Secret Vault are available not only from Octopus Books in Ottawa but also at Perfect Books on Elgin Street.

Saturday, November 18, 2017

Writing Young Adult Historical Novels

On Tuesday November 14, 2017, I gave a talk to the National Capital Branch of the Canadian Authors Association on writing young adult historical novels. It is always fun to talk to a group of peer professionals who grapple with the same concerns as I do.

Below is a summary of what I had to say.

My three novels with young adults as protagonists are The Secret of White Birch Road; The Songcatcher and Me; and Grace and the Secret Vault. Since they have young adult protagonists they are young adult novels, but they are of interest to grown-ups as well. Increasingly, adults are reading teen novels, perhaps because teen fiction is less experimental than some literary fiction, and because modern teen novels deal with mature themes.

Each novel required different levels of research. The Secret of White Birch Road, set in 1952, required verification of historic details; the internet came in handy. The same was so for The Songcatcher and Me, which also involved research into folk song collecting and into the real-life Canadian folklorist Edith Fowke.  Grace and the Secret Vault, which is about a real person and an historic event, is the sort of novel that requires a lot of library and archival research. The novel centres on Grace Woodsworth (later Grace MacInnis) at age thirteen, and the historic event is the Winnipeg General Strike of 1919, in which her father, J.S. Woodsworth, was involved.

Actually I'd done a great deal of the research already, for the biography Grace MacInnis: A Woman to Remember, by myself and the late E. Joy Trott. (This biography is now out of print, though available through libraries.) In writing Grace and the Secret Vault, which is fiction, I refreshed my memory by reading Woodsworth biographies and memoirs and works on the Winnipeg General Strike, as well as looking at J.S. Woodsworth papers on microfilm at Library and Archives Canada.

Grace and the Secret Vault is a coming of age story in which a girl becomes politically aware and comes to understand her parents better. In writing it, I used real-life family incidents and also created some fictitious scenes, all of which furthered my theme, which was the serious effects of World War I on Canada.

If you are writing historical fiction, rather than biography, it is permissible to make up characters and scenes to further your plot and theme, provided that you stay true to the characters' personalities and relationships.

As for advice to aspiring authors of young adult historical novels, I have a few recommendations:

. Check to see if there are other works of fiction on your subject, and if so, read them to see other authors' approaches so that you can plan something unique.

. Read histories and biographies from the period.

. If location is important to your story, try to visit the place.

. If descendants of your central character are still living, contact them and get their help and cooperation.

. Avoid information dumps: passages of historical information that halt the flow of the story and turn it into a history lesson. This can be done in two ways: by providing a summary of the historical event at the beginning, and/or by feeding in information as you go along, through what your characters experience, overhear or discuss.
You can do this by selecting and dramatizing real life incidents that show the temper of the times; through the use of fictional characters in imagined scenes that reveal the historical events of the era, and through a knowledgeable character who will discuss then-current events with the protagonist, and at the same time, with the reader.

. Avoid using present-day terms that your characters would not have used. Some authors choose present-day words and expressions over those authentic to the era, for fear that their readers won't otherwise understand what they mean.

I have a preference for authentic terminology: for instance, I would say "shell shock" rather than "post-traumatic stress disorder"; "consumption" rather than "tuberculosis"' "melancholy", rather than "depression" - depending on what the common use was at the particular time in the past. I might even use Victorian circumlocutions for "pregnant", like "in a delicate condition"; "in the family way"; or "with child".

My audience pointed out the value of providing a glossary in some instances.
I told them that if they decide to write historical novels, I hope they will enjoy their subjects' company as much as I have enjoyed Grace's.